Wednesday, 4 September 2013

Pulp Heroes: Chico Kidd

From the roster of authors in THE ALCHEMY PRESS BOOK OF PULP HEROES 2,  Chico Kidd tells us a little about herself and her story, "Pandora's Box."


 
 Would you like to briefly introduce yourself: what inspired your writing and when you began, and – if possible – of all of your published work could you tell me which your favourites are (and why)?
 
My first published story was in the style of MR James, as were nearly all my subsequent tales (including my first novel, THE PRINTER’S DEVIL) until 2001 when I was taken over by Captain da Silva. These narratives are influenced by many things: the Captain’s voice by Raymond Chandler, the humour by Joss Whedon, and more that I can’t single out. My favourite among my published works is the first da Silva novel, DEMON WEATHER (published last year by Booktrope).
 
Do you have a favourite genre, or sub-genre? What exactly is it that attracts you?

My favourite genre is the one I write in, dark fantasy. I like stories which mingle genres, such as SF, mysteries, fantasy. I’m also a fan of space opera, urban fantasy, hard-boiled ’tecs and some heroic fantasy. What attracts me to read and to write is unlimited imagination, whether in subject or plot.

Some say Pulp is a genre, others a style; which side do you come down on?
 
It’s a genre.
 
What was the inspiration for “Pandora’s Box”?

“Pandora’s Box” was written in the first flush of the Captain’s tales, when I was churning them out at a rate of knots. It’s a more straightforward narrative than some of the tales – a blend of several different things, a desire to give his wife an adventure of her own, wuxia movies, and I’m sure the moths came from somewhere in a different guise.

Do you have a particular favourite author, or authors? What is it about their work which appeals to you?

Terry Pratchett, for humour, imagination, and style. Ursula Le Guin, for humanity, imagination, and style. Elizabeth Moon, George RR Martin, and Tolkien, for handling whole worlds and mythologies so adeptly.

Outside writing, what else occupies your time (assuming you have any free time left)?

Running, yoga, painting, watching DVDs and movies.

Is there any particular style of music – or musicians – which appeals to you?

From my misspent youth: the Beatles, the Who, Beach Boys, Queen, ABBA, Sting... I am a bit of a folkie: Steeleye Span, Fairport Convention, John Tams, Kate Rusby… And I like fado and opera…

I also like: kd lang, Beth Nielsen Chapman, Björk, Lady Gaga, Amy Winehouse, Damon Albarn, Florence+the Machine…

What are you currently working on?

The second da Silva novel, THE WEREWOLF OF LISBON, has just gone to print. The fifth, UNCHARTED SEAS, is currently in progress. I have a number of half-written short stories on the go, and many ideas on scraps of paper all over my house.

Monday, 5 August 2013

Pulp Heroes: William Meikle

In the run up to the publication of THE ALCHEMY PRESS BOOK OF PULP HEROES 2, I will be posting short interviews with the contributors. Up first, William Meikle whose contribution is entitled The Penge Terror.
 
 
Would you like to briefly introduce yourself: what inspired your writing and when you began, and – if possible – of all of your published work could you tell me which your favourites are (and why)?
I'm Willie Meikle, 55, Scottish, now living in Canada.
I grew up on a council estate in a town where you were either unemployed or working in the steelworks, and sometimes both. Many of the townspeople led hard, miserable lives of quiet and sometimes not so quiet desperation
When I was at school books and my guitar were all that kept me sane in a town that was going downhill fast. The local steelworks shut and unemployment was rife. The town suffered badly. I could have started writing about that, but why bother? All I had to do was walk outside and I'd get it slapped in my face. That horror was all too real.
So I took up my pen and wrote. At first it was song lyrics, designed (mostly unsuccessfully) to get me closer to girls.
I tried my hand at a few short stories but had no confidence in them and hid them away. And that was that for many years.
I didn't get the urge again until I was past thirty and trapped in a very boring job. My home town had continued to stagnate and, unless I wanted to spend my whole life drinking (something I was actively considering at the time), returning there wasn't an option.
But my brain needed something to do apart from write computer code, and fiction gave it what was required. That point, back more than twenty years ago now, was like switching on an engine, one that has been running steadily ever since.
I've recently written numerous stories set in the late Victorian / Early Edwardian era, for Sherlock Holmes, Carnacki, and Professor Challenger. I was raised on Doyle, Wells and Robert Louis Stevenson and I love that historical period they covered in their work. It's also the time period I've come to prefer for my own writing and I can see me settling in there for a long time to come.
There's more Holmes, more Carnacki and more Challenger to come. There seems to be quite a burgeoning market for this kind of mixing of detection and supernatural, and I intend writing more ... maybe even a a lot more.
 
Do you have a favourite genre, or sub-genre? What exactly is it that attracts you?
I've written horror, fantasy, science fiction, crime, westerns and thrillers. Plus the sub-genres, like ghost stories, occult detectives, creature features, sword and sorcery etc. But I don't really think of them as being different. It's all adventure fiction for boys who've grown up, but stayed boys. Like me.
It's all about the struggle of the dark against the light. The time and place, and the way it plays out is in some ways secondary to that. And when you're dealing with archetypes, there's only so many to go around, and it's not surprising that the same concepts of death and betrayal, love and loss, turn up wherever, and whenever, the story is placed.
And in my case, it's almost all pulp. Big beasties, swordplay, sorcery, ghosts, guns, aliens, werewolves, vampires, eldritch things from beyond and slime. Lots of slime
 
Some say Pulp is a genre, others a style; which side do you come down on?
It's a stylistic choice for me — fast moving, entertaining stories to help people escape and go somewhere for an adventure for a while.
Tarzan is the second novel I remember reading. (The first was Treasure Island, so I was already well on the way to the land of adventure even then.) I quickly read everything of Burroughs I could find. Then I devoured Wells, Dumas, Verne and Haggard. I moved on to Conan Doyle before I was twelve, and Professor Challenger’s adventures in spiritualism led me, almost directly, to Dennis Wheatley, Algernon Blackwood, and then on to Lovecraft. Then Stephen King came along.
There’s a separate but related thread of a deep love of detective novels running parallel to this, as Conan Doyle also gave me Holmes, then I moved on to Christie, Chandler, Hammett, Ross MacDonald and Ed McBain, reading everything by them I could find.
Mix all that lot together, add a dash of ZULU, a hefty slug of heroic fantasy from Howard, Leiber, Gemmel and Moorcock, a sprinkle of fast moving Scottish thrillers from John Buchan and Alistair MacLean, and a final pinch of piratical swashbuckling. Leave to marinate for fifty years and what do you get?
A psyche with a deep love of the weird in its most basic forms, and the urge to beat the shit out of monsters.
That's what pulp means to me.

 
What was the inspiration for The Penge Terror?
A couple of things — I used to live in Penge back in the '80s and remembered a couple of the old pubs. I also wanted to write a Quatermass story, but that's off limits. Challenger however is very much Quatermass' older brother in terms of influence, and he's a character that has always spoken to me. I also wanted to do a very British alien first contact story — and here it is.
 
 
Do you have a particular favourite author, or authors? What is it about their work which appeals to you?
This is a constantly changing list as the years go by. At one time it was Lovecraft then everybody else, but my tastes have evolved. I still find myself going back to an older time in much of my reading; William Hope Hodgson, MR James, Arthur Conan Doyle and AE Merritt all figure large. Of the more modern writers, Ramsey Campbell has been a constant for many years, Stephen King to a lesser extent although I still read everything he publishes, just a bit less enthusiastically than I used to. I wish Clive Barker would return to full-blown horror as I loved his earlier work. Outside horror, David Gemmel's fluid style always drew me in, and I've been a Moorcock fan since I first discovered him in around 1971.
Of the new batch, Gary McMahon impresses me greatly. He's turning out a body of remarkably entertaining while at the same time bleak as hell work that speaks to me.
 
Outside writing, what else occupies your time (assuming you have any free time left)?
I've been playing guitar badly since 1973, and doing rather better at drinking beer for about the same length of time. I live in a remote part of Canada and love wandering the countryside and shorelines. I also spend far too much time on Fortean websites — cryptozoology especially interests me, and provides direct input to a lot of my work.
 
Is there any particular style of music – or musicians – which appeals to you?
I'm a singer-songwriter in another lifetime, and I have a deep love of people with respect for that craft — Leonard Cohen, Joni Mitchell, John Martyn, Nick Lowe, Nick Cave, Richard Thompson, Elvis Costello, Dylan, Springsteen et al are what's on rotation most of the time. The Blues are for when I'm chilling out, Muddy Waters, John Lee Hooker, Howling Wolf and Elmore James in particular. And Zeppelin for when I need some noise.
 
What are you currently working on?
I'm currently half-way though a novel for DARKFUSE (my 3rd book of a 6 book deal for them.)
This one's a dark fantasy set in Edinburgh and parts unknown, and features cops, beer, a serial killer, a giant black swam, a portal to another place, more beer and plenty of murder and mayhem.
 
Thank you, William Meikle.

William can be found at: http://www.williammeikle.com

Saturday, 13 July 2013

 
I shall be attending (and speaking at) Andromeda One on Saturday 21st September 2013 - a one-day SF, fantasy and horror convention taking place at the Custard Factory in Birmingham, it brings together a host of science-fiction, fantasy and horror writers and publishers for a day loaded with book launches, kaffeeklatches, panels, signings, workshops and much more.
GUESTS OF HONOUR include Paul Cornell and Jaine Fenn. Plus sessions with an impressive range of speakers: Chris Amies, Jacey Bedford, Misa Buckley (SFR) Mike Chinn, Theresa Derwin, Jan Edwards (Alchemy Press & Editor/Writer) Janet Edwards SF Writer, Simon Marshall-Jones of Spectral Press, Adrian Middleton, Mark West and Ian Whates.

Sunday, 5 May 2013

The Alchemy Press Book of Pulp Heroes 2 ToC

I'm proud to announce the final Table of Contents for the next volume of THE ALCHEMY PRESS BOOK OF PULP HEROES:
 
Pandora’s Box Chico Kidd
The Flier Bryn Fortey
Griffon’s Gamble Arch Whitehouse
Night Hunter Pauline E Dungate
Meeting at the Silver Dollar Marion Pitman
The Monster of Gorgon Ian Hunter
Dragon’s Breath Anne Nicholls
The Law of Mars Robert William Iveniuk
The Penge Terror William Meikle
Ula and the Black Book of Leng Andrew Coulthard
The Sons of Crystal City Martin Gately
Kiss the Day Goodbye Adrian Cole
Do Not Go Gently Stuart Young
The Incarceration of Captain Nebula Mike Resnik
 
 
It's an impressive line-up, I think you'll agree, more than complimented by the cover art by the wonderful Les Edwards. Along with two other titles from The Alchemy Press, PULP HEROES 2 will be launched at the World FantasyCon in Brighton this year - October 31st-November 3rd.

 


Sunday, 9 December 2012

Ain't No Sanity Clause


Fringeworks' new Psychos at Christmas anthology - Ain't No Sanity Clause, edited by Theresa Derwin - is now available as a Kindle download - after the usual Amazon-induced delays. An ideal stocking-filler for that special someone.
 
 
And obviously, it contains a cosy little tale of my own: Holding it In.
 
Happy Holidays.








Saturday, 23 June 2012

The Alchemy Press Book of Pulp Heroes

Deadline's up, reading period gone - and the contents of Alchemy Press's celebration of good old fashioned Pulp fiction has been announced:


Origins by Mike Resnick
House Name by Robert William Iveniuk
Eyes of Day, Eyes of Night by Anne Nicholls
Ripples in the Ether by William Meikle
The Perfect Murder by Chris Iovenko
Ivy's Secret Origin by Bracken N MacLeod
Crossing the Line by Joshua Wolf
Jean Marie by James Hartley
Currier Dread and the Hair of Destruction by Ian Gregory
The Going Rate by Amberle L Husbands
No Way But the Hard Way by Michael Haynes
The Vogue Prince by Adrian Cole
Upon a Granite Wind by Joel Lane
The Last Laugh by Milo James Fowler
In the Margins by Allen Ashley
Heroes and Villains by Peter Crowther
The Return of Boy Justice by
 Peter Atkins

To be launched at FantasyCon, on Saturday 29th September 2012 - the time and date now confirmed:

http://www.fantasycon2012.org/launches.htm

Friday, 8 June 2012

Bob Covington's cover artwork for The Alchemy Press Book of Pulp Heroes (edited by yours truly) is now posted to their blog. Click here http://alchemypress.blogspot.co.uk/ to admire it.

2024 IN REVIEW

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