Author of "The Incarceration of Captain Nebula" from THE ALCHEMY PRESS BOOK OF PULP HEROES 2, Mike Resnick answers a few pertinent (and impertinent) questions:
Would
you like to briefly introduce yourself: what inspired your writing and when you
began, and – if possible – of all of your published work could you tell me
which your favourites are (and why)?
I’m Mike Resnick, I’ve written a batch
of books and stories and won a batch of Hugos. I sold my first article at 15
(in 1957), my first poem at 16, my first short story at 17, and my first book
at 20 (but it didn’t come out until I was 22). None, I should add, were science
fiction.
My favourites? SANTIAGO, because it was my greatest seller and paid for our house
and a few safaris; KIRINYAGA, because
it was my most-honoured (67 major and minor awards and nominations to
date); and THE OUTPOST, because it was far and away the most fun to write. My favourites
of my continuing characters are Lucifer Jones and Harry the Book, both
humorous; Lucifer is a parody of every bad pulp story or B-movie I ever saw,
and Harry is what Damon Runyon would be writing if he were around today and
doing fantasy.
Do
you have a favourite genre, or sub-genre? What exactly is it that attracts you?
Probably science fiction, which gives
me all time and space to tell my stories, and can accommodate anything from humour
to tragedy to adventure.
Some
say Pulp is a genre, others a style; which side do you come down on?
It’s a genre which is primarily
defined by its style and its subject matter.
What
was the inspiration for “The Incarceration of Captain Nebula”?
I’ve occasionally used the device of
the Unreliable Narrator. I thought it might be interesting to write a story
with multiple narrators, each of whom
is unreliable.
Do
you have a particular favourite author, or authors? What is it about their work
which appeals to you?
In science fiction: CL Moore, Robert
Sheckley, and Barry Malzberg. In each case, it’s that they excel at certain
things: in Moore’s case, emotion and an evocation of the Sense of Wonder; in
Sheckley’s, a cerebral form of humour (in the 1960’s, anyway) that only works
as science fiction; and in Malzberg’s, an ability to evoke, in his considerable
body of recursive science fiction, the milieu in which we work.
Outside
writing, what else occupies your time (assuming you have any free time left)?
My passions are the musical theatre,
horse racing (I don’t bet, but I wrote a weekly column on it for 15 years); Africa;
and collies (we bred and exhibited 23 champions, most of which we named after
science fiction titles and characters.
Is
there any particular style of music – or musicians which appeals to you?
Show music. Over a 50-year career, I
think I’ve probably written 90% of my output with some cast album/CD playing in
the background. My favourites: the team of Tom Jones & Harvey Schmidt,
Stephen Sondheim, William Finn, and Michel Legrand.
What
are you currently working on?
Still coming out this year: THE WORLDS OF EDGAR RICE BURROUGHS, co-edited
with Bob Garcia (Baen, October), and THE DOCTOR
AND THE DINOSAURS (Pyr, December). In progress for next year: CAT ON A COLD TIN ROOF, a mystery, 3rd in the series that began with DOG IN THE
MANGER and this June’s THE TROJAN
COLT (Seventh Street, August); I.N.C.I.
(title tentative), a team-up with Tina Gower (Stellar Guild books, date not
yet set); THE FORTRESS IN ORION (Pyr,
December), and an-as-yet untitled Stellar Guild team-up with Lezli Robyn. I’ve
got a story – a collaboration with Ken Liu – in press at ASIMOV’S, something like 7 other stories in upcoming anthologies
and magazines, Harry Kloor and I just completed what we hope is the final draft
of a screenplay titled SOME HEROES DIE,
and I’m editing the Stellar Guild line of books and GALAXY’S EDGE bi-monthly magazine. In my spare time, I sleep.
